NCIS–My Guilty Pleasure

NCIS is a predictable TV crime series that has just launched its eighteenth season. We usually start with a dead body. Because the death is connected to the Navy, the Naval Criminal Investigative Service (NCIS) team (led by Special Agent Jethro Gibbs played by Mark Harmon) grabs their gear and solves the crime.

High level technical analysis of DNA, chemicals, cell phone usage, facial recognition, and bank accounts lead them to the killer. One or two obvious, but ultimately innocent, suspects are thrown in to throw us off track. They rarely do. Quirky conversations among the team members give it a light accent. It’s all very formulaic. And I love it.

Why? We live in a world that often seems so random and chaotic. None of us knows who will get cancer next, be in a car accident, or where the next war will break out. Experts famously fail in making such predictions. We can increase the odds of living a healthy life, but we have no guarantees.

NCIS offers a different message. It tells us that the world has order. One of Gibbs’s famous rules, in fact, is “There are no coincidences.” We can know the truth. It takes hard work, hard science, teamwork, and intuition, but we can find it.

Some criticize crime procedurals like NCIS for more than their lack of artistic merit. As Helen Lewis notes, “In his book Homicide, David Simon argues that crime procedurals have created an expectation among juries that a trial will present them with a clear motive, a logical sequence of events, and some slam-dunk evidence for good measure. Many are surprised to find that real life is rarely so generous.”

Despite its shortcomings, NCIS has one more important message that I need to hear, that we need to hear: Justice exists and it is worth fighting for. Right and wrong are real, and we can successfully fight the wrong and work for the right. We may have setbacks and it may be complicated, but we can get there. And even if we don’t, it is right to try.

Yes, for me NCIS is a guilty pleasure, but I don’t feel too guilty.

Lovecraft Country

Matt Ruff’s fun supernatural novel, Lovecraft Country, is an homage to H. P. Lovecraft and his spooky, weird pulp fiction of the last century. Yet it is also an incisive critique of Lovecraft’s bigotry.

Set in Chicago in 1954, the novel follows a series of exploits of an extended family and their friends as they encounter mid-century racism while traveling, while trying to buy a house, and while trying to get jobs. These characters are very aware of the power dynamics at work around them, but they nonetheless act with resolve and creativity to achieve their ends. In ways these are classic underdogs—unlikely and under-resourced people who somehow manage to succeed.

The encounters with the police, with realtors, with employers are vivid and real even as the paranormal and extraterrestrial weave in and out of the narratives. At the beginning of the second episode, for example, we get one of the best, briefest explanations of redlining in Chicago in the 1950s to be found. And then there is the fun—the tributes to Lovecraft’s genre, to Dr. Jekyll and Mr. Hyde, to fifties-era space comics, and more.

Ruff is a master of comic irony, of flipping the script, of teaching us our own history without our even knowing he has done so.

Making Money on Nothing

When I was on vacation, playing cards with friends, someone said, “Hey, have you seen these? Try one.” It was Hershey’s new Kisses Air Delight.

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It’s the same Hershey’s Kiss you’ve always loved, but now “gently blended into a light, airy texture.”

What this means is that you are now paying the same amount of money for less chocolate. In place of the missing chocolate, Hershey’s has added an ingredient that is entirely free to them—air.

I don’t know what you think of this, but I think it is brilliant.

It’s time for publishers to do the same–make money on something that costs publishers nothing or on something they do anyway but don’t currently charge for. If they did, the problems of the industry would disappear. Here are a few ideas I’m working on:
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Abercrombie & Fitch, Attorneys at Law

Of all the shticks on NBC’s The Office, one of my favorites is the rivalry between Dwight and Jim. The pranks Jim plays on Dwight are priceless–and perhaps a bit too reminiscent of actual jokes played by some of my colleagues on other colleagues (never by me, of course).

Linda Doll and I included one of my favorite stories in our anecdotal history of InterVarsity Press, Heart. Soul. Mind. Strength. It highlights the friendly rivalry between the staff of Campus Life magazine (some thirty-plus years ago when it was run by Youth for Christ) and the staff of InterVarsity’s HIS magazine.
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To my friend, Samuel L. Clemens

Mark Twain is without a doubt one of the most colorful characters of the American literary scene. Here is an episode (found in John Tebbel’s Between Covers) recounted by Twain’s publisher, Frank Nelson Doubleday, in his The Memoirs of a Publisher. I reproduce it here for your enjoyment without comment, as no comment is required.
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Life as a Movie Star

Fame is a difficult burden to bear. I know.

Several times I’ve been asked to be interviewed for videos InterVarsity Press has done to highlight new books. Most recently, I have a starring role for the piece on John Stott’s fiftieth anniversary edition of Basic Christianity.

It had over 250 views on youtube.com in its first month, until I told my extended family about it and it rocketed up to over 260. So you can see the kind of load I am under.

By comparison JibJab’s “Time for Some Campaignin'” has over 1,250,000 views in two months. Now you know why the paparazzi are after me the way they are.

After we showed the Stott video at an all-office meeting, exactly zero people came up to me and told me what a great job I did. And zero told me I had room for improvement. How am I to cope with such an overwhelming response?

I also make a cameo appearance in the video Heart. Soul. Mind. Strength. That one isn’t even on youtube. A good thing too! Who knows what invasions of privacy I might suffer if it were!

Fame, however, is fleeting. I am prepared to deal with that too.