Last time Alan Fadling shared his thoughts on an unexpected form of writer’s block. Having written one book, authors often find major hurdles in finishing a second, especially if the first was successful. In working on Write Better (due out October 2019), I also asked Jen Pollock Michel about her experience with what I call Second-Book Syndrome. Here, with her permission, is what she told me.
The writing of my second book, Keeping Place, was pretty tortuous. I think partly it was the onerous sense of expectation, especially in that my first book, Teach Us to Want, won the CT award. I shed many surprising tears about that award, wishing I hadn’t won it. That sounds incredibly ungrateful, and I don’t feel that way now. But at the time, it felt like the surefire way to be a disappointment to people.
Here’s what eventually helped me:
1. The recognition that every book is different, requiring different things from you as an author and delivering different things to your readers. (The “books” are “babies” analogy here can certainly be extended: your second child is going to be different than your first, and it would be silly to expect every subsequent child to act and look like the first!) When you can allow your books their distinctiveness, rather than forcing every book to imitate the previous book you’ve written, that can help. Teach Us to Want required a lot of vulnerable self-disclosure. It seemed necessary to the topic of desire. There were a lot of people who resonated with that approach, and truthfully, it was “easy” to do in a first book in the sense that I didn’t have a readership or any certain expectation that people would read.
Writing Keeping Place was totally different, however. First, I wanted the book to reach a broader audience of women and men, so it’s more systematic in approach and probably a little less personal (although there are still personal stories in every chapter). Also, it’s just a different book. I’ve heard some people say they like it better than Teach Us to Want. And I’ve also heard the opposite! So maybe that leads to a second conclusion:
2. You can’t write books to secure approval from readers. That’s the surest way NOT to say what you’ve been called to say. Of course I want to say helpful things, and I write with readers in mind in the sense of their questions, their fears, their anxieties, their hopes, their longings. But I try to avoid questions like, “Will they like me? Approve of my spirituality? Admire me?” Reading is such a personal thing: if you get hung up on maintaining the approval of readers you already have, your writing is not going to risk and grow. In the “books” are “babies” analogy, I think we have to say that some readers will find some books cuter than others. And that’s ok.
3. Get yourself a contract! Force yourself to write! Put yourself under a deadline! I don’t know of a better way of overcoming writers’ block. When I signed for a second contract with IVP for KP (and a third), I didn’t necessarily feel “ready.” You’re not going to feel “ready.” Your first book comes from such a deep place on conviction. I think it asks and attempts answering some of your most pressing questions as a human being. Your second book, without the lifetime of germination your first book might have had, won’t feel as cured. And that’s ok.
Jen

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Eventually something that finds its way into our morning pages may trigger and idea or project we want to pursue. That’s fine. We can work on it outside of our time set aside for morning pages, and that we can show to others for input if desired. But we never show others our morning pages themselves. A friend of mine, Bill, who didn’t think he was very creative undertook Cameron’s disciplines and started producing some remarkable poetry.
I think the answer is a lesson in our tendency to take things out of context. Understanding what’s going on depends on seeing the whole sweep of the narrative in all thirty-six chapters of Numbers and the whole sweep of Psalms, not an isolated chapter or verse.
When we firmly, completely, uncompromisingly put our trust in a particular way of viewing the Bible, ironically we put ourselves at risk of disbelief. Why? Because if one brick of the structure we have built crumbles, then the whole edifice falls. 

The emphasis on conversionism has had another effect. It has made evangelicals more individualistic than Catholics, who are oriented more toward the community of faith as a primary means for drawing closer to God. Certainly American individualism has had a tremendous impact on American Catholicism as well. American Catholics are much more willing, as mentioned earlier, to disagree with and act contrary to the Church’s teachings than Catholics in many other countries. Nonetheless, when it comes to spirituality, it is primarily a matter of the community.
I said, “The Road to Emmaus is a paradigm of Catholic spirituality, right? Spiritual growth is a journey that we go on. And Christ travels with us on this journey even though we may not know he is there. But we recognize him in the breaking of the bread, in the Eucharist. And our immediate instinct at such times of significant encounter with Christ is to go to the community, just as the two on the Road to Emmaus did. So we have in this paradigm the key elements of the journey, the presence of Christ, the Eucharist and the community that make up much of Catholic spirituality.”2 He looked completely bored, as if I were telling him the sun rises in the east and sets in the west.
“Exactly. Spiritual growth happens in crisis events when we are suddenly thrust to a higher or deeper level of intimacy and commitment to Christ. From that moment we are radically changed. Spirituality proceeds dialectically. There is a radical discontinuity of the past from the future. Sometimes that moment is the crisis of conversion. Sometimes it is hearing a calling or some other new spiritual experience. So I think your Protestant friends may be expecting a Damascus Road experience.”
Catholics, by contrast, are very happy to think in terms of both/and. John Paul II was highly revered by Catholics, yet large majorities of Catholics (particularly in North America) felt perfectly at peace disagreeing with him on birth control, priestly celibacy and stem cell research. The inconsistency bothers them little.
For evangelicals, the game is thought to be won or lost on statements. If we can’t have fixed truth expressed in words, we are subject to every wind of doctrine. We lack an anchor and may drift into heresy or at least into the shoals of liberalism. While Catholics lean toward analogical thinking, Evangelicals tend to embrace what Tracy calls the dialectical imagination. Since we have a tendency to deceive ourselves, we seek certainty. Symbols are too vague to achieve this. Propositions warn us clearly against error, set limits and call us back to truth.