When we talk about our faith, we may be thinking of beliefs, ethics, and worship. But what others hear, says Alan Noble, is our preferences. They see these as lifestyle choices we use to craft an identity—like jerseys of our favorite sports team, our vegetarian diet, or volunteering to tutor.
What makes engaging others about religion even more difficult is our culture of distraction. Social media, entertainment, busy schedules and more all keep us from reflecting on ideas, on substantive issues, on our own lives. Both people of faith and people of no faith rarely stop long enough to wonder about our path in life. Yes, I too reflexively take a dose of social media even in the bathroom.
In Alan Noble’s transforming book Disruptive Witness, he unpacks these two forces—identity formed by preferences and endless distraction—based on Charles Taylor’s A Secular Age. With gentle but persistent insight, Noble considers how our culture makes faith a challenge for all of us, in ways we may be largely unaware of.
The second part of the book looks at practices we can engage in to break or disrupt these forces—personally, as a church, and as we interact with culture. These are not suggestions for evangelism as we might typically think of them. They are more like spiritual disciplines to reorient our own lives before (or as) we engage with those outside God’s family. I could wish for more here, but Noble gives us a necessary beginning.
This important book deserves a wide reading for understanding ourselves, our neighbors, and our world—and for living more closely attuned to the reality of God.
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photo credit: Pixabay LoboStudioHamburg
Disclosure: I received a complimentary copy of the book from the publisher. My opinions are my own.
And how do original thinkers work? From Beethoven to Edison to Picasso they outproduced their peers. Each is famous for several works of genius. What is little known is the thousands of works they generated that are forgotten. Producing so much in quantity increased their odds that a few would be landmark creations.
The author’s definition of an original as someone who is different or inventive is not much more than a tautology. He would have been better off to concretely define creativity as combining two things or ideas which hadn’t been joined before or by combining them in a new way.





What of the initial question that inspired the book? He only hints at answers. Certainly the crucified image of the righteous sufferer has remained strong, inspiring many to follow his example even at great risk. Also, it is hard to imagine the Bill of Rights and the United Nations Universal Declaration of Human Rights emerging without the widespread influence of Jesus. “The pressure to make peace [in various quarters of today’s world] is quite unlike anything the Greeks or Romans or even the Elizabethans could have imagined” (310).
The unwritten agenda of this book and its relevance for today seems to be the similar questions that are now afoot. Does democracy have a future? Can it withstand the impulses of our now hyper technological society joined with the forces of nationalism which once more assert themselves–now in currently democratic societies like Great Britain, India, the United States and elsewhere? What role if any does Christianity have to play other than chaplain to the powers or hand-wringing bystander?



Civil War to end slavery was one such struggle. But the battle continued on new fronts, the rise of the Ku Klux Klan in the late nineteenth and early twentieth centuries being one of the most obvious. The decades-long, hard fought struggle to gain women the vote in 1920 was another high point except that it took so much effort to achieve what now seems so obvious.