Andy Unedited – Page 19 – Exploring Books, Life, and Writing

The Reason Is Not Because

The great pianist Vladimir Horowitz practiced the scales every day, even in his eighties. He wanted to continually master his craft so that he would be “be in possession of the full arsenal of skills when inspiration does come.”

The same is true for us. Here are two skills you can master. Don’t worry about them as you write. Go back and look for them later.

First, we all know passive voice is usually a no-no. But recognizing it can be a trick. Here’s one easy way to catch a bunch. After you’ve drafted something, search for these:

There is
It is
There are

You can probably rewrite 90% of these sentences in active voice. For example,

Weak: There is much to learn about the theology of dancing porpoises.
Better: We still have much to learn about the theology of dancing porpoises.

Weak: There are other people who are as good looking as I am.
Better: No one is as good looking as I am.

Weak: It is well known that a supernova of the sun would eliminate male pattern baldness.
Better: As we all know, a supernova of the sun would eliminate male pattern baldness.

Here’s another one you can easily search for and fix. Sentences using the pattern of “The reason is because . . .” are redundant, and redundancy drives me nuts and crazy. This is like saying, “The cause is the cause that . . .” We can do better. Consider these:

Weak: The reason is because Facebook is trying to suck all the DNA out of my body.
Better: The reason is that Facebook is sucking all the DNA out of my body.

Weak: The reason is because the dog ate my homework.
Better: That’s because I had to burn my homework to stay alive when I was stranded in the middle of a blizzard.

Weak: The reason is because Al Gore is so boring his code name as Vice President was “Al Gore.”
Better: You can identify Al Gore when he is in a room full of secret service agents because he’s the stiff one.*

Be like Vladimir. Practicing scales can seem tedious and below you. But it can be the gateway to art.

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* Thanks to Al Gore and “Wait Wait . . . Don’t Tell Me!” for these two. www.npr.org/2013/02/16/172030420/al-gore-plays-not-my-job

Credits: Cianna Pixabay (porpoise); desimaxwell Pixabay (rock face)

Finding Good Books

I am always on the lookout for something good to read. By that I mostly mean books.

I love browsing books at a library or at a bookstore or online, but that can be hit and miss. Sometimes the title or cover or back cover pulls me in, and then I am disappointed when I do read it. Also at the back of my mind is this nagging fear that in just browsing I may have missed something better.

I also get recommendations from friends, read books by authors I’ve already read and enjoyed, and look at bestseller lists. I can usually get higher quality, more focused suggestions in those ways.

Another avenue I’ve found helpful in recent years is Goodreads. This social networking site is just about books. Friends post what they want to read, what they have read, give books a rating, and sometimes offer a review. Every day I get an email listing about two dozen books my Goodreads friends have read or want to read. (You can change the frequency of these email alerts too.)

Unlike other social networking sites, the goal is not necessarily to gather as many friends as you can—at least that’s not the way I use it. Rather, I try to find people whose tastes and interests overlap with mine.

When I see a book given good ratings and good reviews by several different people, I pay attention. That’s how Where the Crawdads Sing and Educated have made it on my “Want to Read” list. And that’s why I read The Lager Queen of Minnesota which proved to be just right for me.

Since I tend to like history, science fiction, biblical studies, and literary fiction, I try to get people on my friends list who do too. At the same time, I don’t want my list of friends to be too narrow. I want to be stretched to read in areas I might not ordinarily think of. Sometimes I just want beach reading. So I have friends who read a lot of those. Sometimes I want to read something from a different political or theological perspective. I have friends who point me to those as well.

Goodreads has lots of other features for those who like to track the books they are reading or who want to comment on a friend’s review. You can also suggest something to a friend.

Aggregate ratings and all the reviews for a particular book are available from the whole Goodreads community—not just those from your friends. I find that reading the most positive and the most negative reviews helps me get a handle on whether a certain book could be for me.

Goodreads is an excellent tool. But however you pick books, by all means, read books.

An American Ideal, An American Myth

Books are better sources of information and insight than tweets or headlines. Two years ago I reviewed here The Myth of Equality, a book that gives more help and understanding than anything you will hear or read in the news today.

Ken Wytsma was talking with a young man running his own landscaping firm who was proud of how he’d started from zero and succeeded by virtue of hard work, with no benefit from privilege. So Ken asked where he got most of his business (the suburbs) and where they worked on jobs (in backyards) and when (during the day) and how he got business (putting flyers on doors and knocking at houses).

Then Ken asked, “If you were a young black man proposing to work in the backyards of those suburbanites during the day when they’re not home, is it possible some of your clients might show a degree of suspicion or bias? If you were Hispanic, talked with an accent, or looked like you were from a culture unfamiliar to the suburban communities where people can afford backyard ponds and fountains, do you think it might–even if ever so slightly–affect how successful you are when you knock on doors?” The white friend understood.

While equality is an American ideal, Ken Wytsma tells us, it is also an American myth. State-sponsored racist policies did not end with the abolishment of slavery. They have continued in various forms ever since.

As Wytsma recounts in The Myth of Equality, voting restrictions in the post-Reconstruction era reduced Alabama’s black voter turnout from 180,000 to 3,000. It fell to zero in Virginia and North Carolina. Today efforts continue to hinder voter registration.

Astonishingly, forced labor was widely reinstituted around the turn of the twentieth century with thousands of blacks arrested on minor charges and then leased back by the state to business owners. In fact, in Mississippi, “25 percent of convicts leased out for forced labor were children.”

Regarding housing, redlining in the North during most of the twentieth century reduced the value of minority real estate holdings, with contractual options to take their property away from them for missing one payment–something white buyers did not have to endure. The effects of this systematic impoverishment are with us still.

In the last fifty years, the war on drugs has targeted minority populations creating an incarceration-industrial complex. Things are beginning to change, but Wytsma finds it ironic that in Oregon, where marijuana is now legal, “white corporate businessmen now stand to make millions of dollars by selling a product that millions of men, predominantly of color, are currently incarcerated for possessing in miniscule amounts.”

Does all this have anything to do with the gospel? Wytsma quotes Timothy Keller: “Any neglect shown to the needs of the members of the vulnerable is not called merely a lack of mercy or charity, but a violation of justice.” Biblical justice is not just punishing evil doers but restoring what was bent or broken. The cross doesn’t just allow sins to be forgiven but restores relationships. It reconciles us to God and us to each other.

Compassion for individuals is good and right, but it is only a component of justice which also looks to remedy underlying causes for such needs. Compassion, contends Wytsma, can also feed our hero complex. We encourage a more holistic justice when we use our influence and authority to give our responsibilities, opportunities, and power to those who have not had it equally.

Through a clear retelling of American history, a well-rounded discussion of biblical justice, and concrete ways we can move ahead individually and corporately, Wytsma provides an important book on an important topic.

Disclosure: I received a complimentary review copy of this book from the publisher. The opinions I have expressed are my own.

Reading Romans with Eastern Eyes

For those like me who are steeped in Western individualism, the honor-shame dynamics of the Bible are hiding in plain sight.

Honor abounds in the Bible as seen in words like glory, name, blessing, praise, clean, renown, glorify, beloved. Shame words are equally plentiful—ashamed, accursed, humiliation, wretched, forgotten, reproach, despised, mocking, crushed, reviled, cursed.

The dynamic of corporate identity comes to the fore in Scripture far more than many of us imagine. Jackson W.’s Reading Romans with Eastern Eyes (a series of essays that move through the letter chapter by chapter rather than a verse-by-verse commentary) does not seek to undo centuries of analysis in the Western tradition that emphasizes sin and guilt. Rather it seeks to place alongside that viewpoint another dimension that deepens our understanding of Paul’s most theological letter.

The author defines honor as “one’s perceived worth according to the agreed standards of a particular social context” (14) As such, honor can be achieved or ascribed. In the West we lay greater emphasis on the first. The East emphasizes the second. But we still see a number of honor/shame-oriented subgroups still thriving in Western culture—the military, street gangs, teenagers, sports teams, and rural communities. The fear of shame can effectively control the behavior of these members.

God’s glory gets particular emphasis in this book. As the author says in his discussion of Romans 4:20-21, “Genuine faith in God magnifies his worth. By faith, we honor him” (48). In this vein Romans often focuses on how God deals with Jews and non-Jews, bringing them both into his family, to glorify him. A Jewish sense of superiority relegates God to a tribal deity. Therefore, “Romans contradicts the idea that ethnic conflict is a second-tier concern for the church” (65).

Just a couple other highlights. The author’s analysis of Romans 7 (famous for Paul’s use of first person—“What I want to do I do not do,” etc.) is of particular interest. He makes a strong case that this seemingly quintessential discussion of the individual instead “refers collectively to Israel during the exodus” (132).

Later the author critiques ancestor worship but also helps us sympathize with it by quoting Chesterton: “Tradition means giving a vote to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who happen to be walking around.” Tradition can be good, but it does not eclipse God. He is the “Lord both of the living and the dead” (Rom 14:9).

This book does not dismantle everything we ever thought we knew about Romans. Rather it enriches our understanding of the letter by getting behind the honor-shame culture that infused the Bible’s world.

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photo: Pixabay zgmorris13

Just My Type (3)

We live in a divided society. We are divided about politics, about family values, about religion. The very fabric of our culture seems at risk of being torn apart. But there is one area of disagreement that is more intense, more divisive than any other.

That is whether or not we should type one space or two at the end of a sentence.

Watch out! Feelings run so high that in an altercation you could easily lose the thumb you use to hit the space bar.

How do I know? Microsoft recently announced that the default spacing in Word was being revised from two spaces to one. I posted that on FaceBook and asked folks to vote for their preference. I got a lot of good-natured responses, nonetheless, with a lot of feeling.

“The first good decision Microsoft has made.”

“My platform will always be pro Two Spaces. Just like I am pro TP Roll Goes Over Top, and pro Please Do Not Hack Up the Butter/Cream Cheese. There is a right way to load the dishwasher, and a right way to end your sentence.”

“I’ve just emerged from another Facebook fracas over this. I can’t imagine why anyone still uses two spaces, but people get really emotional about their God-given Second Amendment right to hit the space bar twice after a sentence.”

How did the vote turn out? It was very close.

What I found most interesting, though, was that over 90% of authors and publishing professionals in my small, unofficial, unscientific survey voted for one space. Why? They are more likely to be familiar with the principles of type layout and design. As several commented, two spaces is a holdover from typewriters which use non-proportional fonts like Courier.

Here’s how Jennifer Gonzalez explains it: “Back when we used typewriters, every character was given the exact same amount of space on the page. That meant the letter i was given the same amount of space as the letter m, even though it clearly didn’t need it. This is called monospaced typesetting and it’s, well, spacey. We needed that extra space between sentences to make it easier to see the beginning of new sentences.”

As someone commented on my post, that’s how typesetting has worked for generations. The professionally produced books, magazines and newspapers you’ve read “have had only one space after a period your entire lives!”

A number of people seemed to agree that one space was correct but force of habit and early training has made it nearly impossible for them to change. That’s my situation. I try to do one space but often don’t. If I remember when I’m done with a piece, I do a global search to replace two spaces with one. Since I often forget, I am sure that if you look through my previous blogs, you will find much inconsistency. Such is life . . . at least my life!

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photo credits: Pixabay RyanMcGuire (argument); Pixabay Wild0ne (typewriter)

Just My Type (2)

For many of my generation, my world of type was proscribed by Courier, the almost universal typeface of the typewriter era. I did notice, though, in the 1960s when the Minneapolis Star and Tribune started using a san serif face for their headlines. Now that was pretty cool. Not as cool, however, as the psychedelic typefaces that started popping up on album covers that same decade.

I learned a little bit about such things when I was editor for our high school newspaper. But my real education came from Kathy Lay Burrows, the first designer I worked with at InterVarsity Press. She loved type. She knew the history of each face, who the designers were and the story behind each one. The elegance of Garamond and Bembo made her swoon.

The only time I doubted her instincts was when a crusty old proofreader nearly swore to this freshman editor under his breath that Souvenir was only suitable as a display type and was never intended by God or anyone as body text!

Simon Garfield’s Just My Type is full of just such opinionated fun while he fills in the backstory of the designs and the designers. Comic Sans, for example, comes in for its share of ridicule. That well-intended typeface is casual, unintimidating, almost flip—and for many, irritating if not revolting.

Helvetica, on the other hand, is practical and suited to mass communication. It is comfortingly neutral, like the Swiss homeland from which it comes. Typefaces, you see, communicate much more than the content of their texts. They are a medium that is part of the message.

Lots of ads, signs, stationary, books, album covers, products, and other type examples are sprinkled throughout the book. These help us keep straight the hundreds and thousands of options that are out there—something that even those well versed have difficulty doing.

And how could I have not known that the ampersand (&) is actually an elegant combination of the letters e and t which comprise the Latin word et, meaning “and”? I do now, & am a better person for it.

If you’ve ever wondered what’s behind this world of type or, like me, had a good grounding and wanted more, here is a fun package to do just that.

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image: Pixabay Tatutati

Just My Type (1)

I have a confession. . . my guilty pleasure. I love Times New Roman.

Don’t hate me, though, please. I have reasons. Good reasons. Really.

When reading books or other long-form material, those wonderful serifs mean I don’t have to work as hard identifying words. These unconscious clues let the text go down as smoothly as yogurt (filling and full of protein).

Many other delightful, elegant, and functional serif faces are available like Bembo, Bodoni, Garamond, and Georgia. But Times New Roman stays out of my way. I don’t see it. I only see the text. I’m not distracted because it is so completely ordinary and therefore invisible.

For headlines and huge signs in public places—yes, by all means, give me Helvetica or Univers or Futura. These san serif faces are wonderful, authoritative and to the point. They get me where I want to go whether it is the exit, the entrance, or (most importantly) the men’s room.

When I first started in publishing almost fifty years ago, I knew almost nothing about typefaces until our designers started tutoring me in their nuances, their histories, their dos and don’ts.

Today, of course, we all think we are graphic designers. Since every word processing program comes complete with multiple typefaces (like Arial) and multiple fonts (like Arial Black, Arial Narrow, Arial Rounded and MT Bold). And if such a font isn’t included, we can just highlight and click bold or italic to meet our needs.

Having dozens or hundreds of options to choose from was just too much temptation for many. As an editor I often received manuscripts combining a riot of faces and fonts. What authors thought of as fancy or creative was plain distracting and ugly. Our friends at Apple and Microsoft had unleashed the untamed graphic designer in all of us.

Eventually folks caught on that simple was better. Less was more. Pick one typeface and go.

Not long thereafter I began receiving digital submissions, on a floppy disk (which came on the market about the same time as steam engines) or as an attached file. I liked that much better. Why? Because, you see, once I pulled up the manuscript on screen, no matter how carefully it had been laid out by the author, I could change it all to Times New Roman.

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photo credit: Pixabay-PublicDomainPictures

Crazy Jesus . . . or Crazy Like a Fox?

Sometimes Jesus made statements that sound just plain crazy.

Once he was explaining why he taught in parables. The reason he gives in Mark 4:12 is this—so that, “they may be ever seeing but never perceiving, and ever hearing but never understanding; otherwise they might turn and be forgiven!” In quoting here from Isaiah 6, Jesus makes it sound like he doesn’t want people to repent, to turn to God, to be saved. What in the world could he possibly be talking about?

Greg Beale’s We Become What We Worship helps us untangle this mess while walking us through an important theme that spans both Testaments. The book of Isaiah condemns Israel for its idolatry, for worshiping statues that can’t speak or hear. Israel’s punishment? She was sentenced to become like the idols she worshiped—deaf and blind.

That theme is found also in Exodus, the Psalms, the Gospels, the writings of Paul and elsewhere. As Beale often summarizes in his book, we become like what we worship whether for ruin or renewal.

His analysis of the golden calf episode in Exodus is especially instructive. The rebellious people were described as being like a stubborn, “stiff-necked” heifer. The use of “stiff-necked” in Deuteronomy, Hosea and elsewhere is particularly connected with idolatry, not just general disobedience. They turned into what they worshiped.

Yet our ruined state need not be permanent. Isaiah also tells us this condition will be reversed. A day is coming when “the deaf will hear the words of the scroll, and out of gloom and darkness the eyes of the blind will see” (Is 29:18). This theme is echoed through the New Testament as well. Yes, the punishment is intentional but not eternal. Its purpose is to get the attention of sinners so they do turn to God.

The whole of Isaiah is the context of Jesus’ statement about the people experiencing the same punishment of being blind and deaf that their ancestors suffered for their idolatry. The blindness caused by using parables was likewise intended to be temporary, not perpetual–a shock treatment to push his hearers back to their Lord.

Beale’s book makes the case that God created us essentially to be image bearers. If we do not reflect God, then we will inevitably reflect something else in creation (305).

What might even God’s people today be worshiping besides the true God? To find out, we can ask what we (individually or corporately) are like today. Are we focused on methods or message, on tradition or truth, on character or success, on winning or being winsome, on justice for the world or justice for me? What we give priority to matters. We’re choosing who we will be today and tomorrow.

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image credit: Pixabay kryzoxstv

Heroes and Holes

When widespread coronavirus restrictions first began to take effect last month, I was in an airport.

I suddenly became acutely aware of people around me serving food, cleaning tables, maintaining equipment, and many more. Clearly, I thought, I have not appreciated such people enough or sufficiently expressed my thanks. They (along with other more obvious examples of first responders and medical staff) were putting their health on the line to serve me and others, to keep society functioning, even if it was at a reduced level.

What they were doing was courageous, putting their own well being at risk for the sake of others. I also realized, however, that some of them had no choice. They could not afford to stay at home without pay for weeks or months. They had no savings, no family safety net to fall on. They could not do their jobs virtually via laptop and Zoom.

One grocery store worker feels the label of hero is misplaced for her and others. And she raises good questions. At least hazard pay should be a consideration for such workers.

Heroes, nonetheless, may not always look like what we expect. They do not always arrive with a uniform, a cape, a superpower, magical abilities, or exceptional cleverness.

In Louis Sachar’s novel, Holes, Stanley Yelnats is a wonderful, unexpected hero. He is a bit overweight, awkward, doesn’t seem particularly smart or charming, has little by way of leadership skills, and in fact often gets picked on by other kids. He is almost the definition of ordinary, if not forgettable. Yet the whole tale of injustice, bad luck, and obsession hangs on his steady, unflappable, and forgiving character.

How? Stanley does not take life too personally—the good or the bad. He also makes room to help those in need. Zero, for example, wanted to learn to read. Stanley helped him despite ridicule and potential punishment. Finally, Stanley has grit. He doesn’t give up. He undramatically keeps plodding ahead, moving forward, when others would have stopped.

Years ago I saw the movie based on this book. As I read it recently for the first time, I remembered some of the story. But I found it to be a splendid reminder that even ordinary people can be heroes by virtue of their ordinariness.

image credit: Pixabay Scottslm

Christ’s Victory on Our Behalf

The center of Christianity is the cross. But how are we to understand the crucifixion? How is it that in the death of Christ we find salvation, forgiveness, new creation, justice, victory over the powers, and hope for the future? And why in particular was such a gruesome, publicly humiliating execution required?

This Lent, to assist me with such questions, I have been reading Fleming Rutledge’s The Crucifixion, a book providing what she sees as the first substantive book on the cross for pastors since John Stott’s The Cross of Christ. Overall in her view Christ’s crucifixion is God’s victory over Sin, Death, and the Devil. The Powers are vanquished as the Apostle Paul so often gives testimony. But Christ’s substitutionary work—in our place and on our behalf—is the necessary partner to this cosmic rectification, a theme that arises out of the biblical narrative rather than a theological scheme.

She offers a robust defense of substitution throughout. In particular she thoroughly rehabilitates the eleventh-century archbishop Anslem when today it is popular to denigrate the person credited with bringing substitution to the fore of church teaching. She also finds much to admire in Calvin, though not necessarily in his successors. Rutledge believes both have been misunderstood because scholars fail to see that these two are not working primarily in the realm of academia. Their purpose is pastoral—as is hers.

Rutledge’s sword cuts both ways. She finds much to praise and criticize in both mainline and evangelical circles. For example, she has no patience for evangelicals who see penal substitutionary atonement as the only true way to understand the cross. The Bible offers a wide range of images, metaphors, and teachings on Christ’s death, and we do it much injustice by diminishing or ignoring these. Nonetheless, she also has words of praise for figures like Billy Graham and F. F. Bruce.

At the same time she upends superficial aphorisms such as “God accepts us just as you are” or “Forgive and forget” or declarations of radical inclusiveness. None of us can achieve this no matter how open we are. Our congregation may accept those with Downs but may give up on someone with narcissistic personality disorder. We may welcome a transgender person but find we cannot include an unwashed, unmedicated street person. Then there are times conservative evangelicals are disdained or discriminated against. All fall short, you see.

Another major theme throughout the book is the equivalence of justification and righteousness which derive from the same Greek word. Further, we should not see this as a static condition, says Rutledge, but as God’s activity of setting things right. God rectifies the wrong, the sin, the evil in us and in the cosmos. Rectify better emphasizes what is going on than justification or righteousness which have become encumbered with centuries of debate and misunderstanding.

She is right that the manner of Christ’s death is significant. Dying in his sleep or having the dignity of being beheaded like a Roman citizen would have meant entirely different things. I found her case unconvincing, however, that the crucifixion was the most horrific and humiliating death of all since she would have to survey every other possible form of death to prove her point, clearly an unachievable task.

This and a few others are quibbles however in a stellar work that deserves (as it is getting) a wide readership among pastors, scholars, and those in the pew. She fully achieves the goal of searching the depths of this core of our faith, leading us to praise, worship, and renewed hearts.