Tuesday Round Up

Hear are a few, brief, miscellaneous items of interest. (See the last piece regarding this string of adjectives.)

Click on the Headline

Some of you who subscribe to Andy Unedited have mentioned that the font size is small in the email alert you receive. If you just click on the headline of the blog found in the email, you will be sent to the blog website which is much more readable. (So, for example, if you get this in an email, put your cursor on “Tuesday Round Up” in the email and then click! Easy as eating pumpkin pie.)

1917

My wife and I recently rented the DVD of this gripping story of two British soldiers in World War I who make an amazing 24-hour journey to deliver a message that could save hundreds of lives. The unusual use of only one camera during the entire film heightens not only the immersive immediacy of the movie but the dogged courage of this pair.

Write Better ebook and paperback sale

In honor of Cyber Monday coming up next week, the ebook edition of Write Better is now available for sale on Amazon.com and will soon be on ChristianBook.com for only $4.99 through December 2. Mark your calendar and take advantage.

You can also save 50% on the paperback edition (and a truckload of other IVP books) through Christmas just by clicking this link. Tell your friends. Happy Holidays!

Hope*Writers

I was recently interviewed by the good folks at Hope*Writers, a community helping people with the art of writing with the business of publishing. You can view it for free here as I discuss the importance of beginnings and endings, why determining your audience is so key (and how to do it), as well as ways to engage readers.

The Crazy Grammar Rule You Never Heard Of

Most click-bait headlines disappoint. The actual article ends up to be so lame compared to the come-on. But this one about the crazy “Grammar Rule You Know But Have Never Heard Of” is absolutely spot on. I never knew this complex rule as a rule, but I instinctively follow it all the time. So do you. Mind blown!

Reading While Black

We all read the Bible from our own viewpoint, from within our own culture and background. Our circumstances make us ask certain questions we wouldn’t ask otherwise. We could consider this a disadvantage. How could we know what the Bible really said when we are inevitably limited? But what if this were a blessing? What if this drawback allowed God to speak with truth and power to our particular situations?

Consider Martin Luther. His context of an often legalistic and corrupt church made him ask certain questions of the Bible about salvation. Or Dietrich Bonhoeffer. His experiences with the black church in Harlem and Hitler’s regime in Germany drove him to ask certain questions about how Christians and the church should relate to the government. Their answers did not encompass all the Bible said, but they were true.

This is what Esau McCaulley offers in Reading While Black. He found himself both feeling at home and not feeling at home with black and white progressives as well as with black and white evangelicals. Could he forge a new path that was unapologetically black and unapologetically orthodox? With pain and hope he points the way to true answers.

Several years ago, when I heard Esau McCaulley offer initial thoughts on a theology of policing, I thought, “What an amazing, creative question to ask, and what an intriguing, substantive proposal he makes!” In this book McCaulley also asks: How should the church offer a political witness? What is a full-orbed view of justice? How can Blacks gain identity from Scripture? What should Blacks do with the rage they feel from the injustices they’ve experienced? Does the Bible justify slavery as some contended for centuries?

The insights he offers to these are many and stirring. For example, he reminds us that Romans 13 is not the only passage about attitudes toward government in the Bible. In Luke 13:32-33 Jesus shows no deference toward a particular ruler. In Luke 1:51-53 Mary looks forward to governments which are not run by prideful men but which help the poor (echoing Isaiah).

He also highlights the beginning of the fulfillment of God’s promise that all nations would be blessed through Abraham when Jacob adopts Joseph’s two sons (his two biracial, half-African sons!) as his own in Genesis 48:3-5. Can those of African descent especially find their place in God’s promises? Indeed!

Then there is the question of black rage. I found his thoughts on the psalms of lament and imprecatory psalms to be some of the most powerful reflections he has to offer in the book.

The answers that Luther and Bonhoeffer found in the Bible are true—but they aren’t exactly the same. McCaulley simply asks for the same privilege that was accorded these gentlemen to struggling with difficult texts and difficult contexts.

Yet if everyone comes to the Bible from a different place, how can we know what it really says? Should we stop asking what the central message of the Bible is? McCaulley says no. We should instead ask (as he does) which understanding “does justice to as much of the biblical witness as possible. There are uses of Scripture that utter a false testimony about God.” (p. 91).

Esau McCaulley wrote this important book for himself. As a result he has also written a necessary book for all of us.

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I received a complimentary copy of this book from the publisher. My opinions are my own.

Beautiful and Profound

Martin Schleske is a lifelong luthier (violinmaker) whose art has interwoven with his faith such that the two are one. His recent volume, The Sound of Life’s Unspeakable Beauty, is his meditation on both.

When a friend gave me his book, one of the most beautiful and profound works I’ve read, he wisely suggested I savor a few pages at a time. The depth of each page, of each paragraph, of each sentence made it worthwhile to do just that. Over the period of a few months I sojourned through this book.

I found myself copying over dozens of insights, slowing me down enough to ponder each. Here is one: “Humility does not lie in thinking little of myself but in thinking enough of others to serve them.” (115)

Then this: “What is faith? That which takes part in God’s adventure. What is love? That which takes part in God’s resolve. What is hope? That which participates in the world’s loving and faithful development.” (183)

And another: “The only thing that suffering has to say is this: Be there for each other!” (231)

And this: “Jesus did not say: ‘Listen to the following definition of God. It should be your faith. Blessed are those who believe that their doctrines are holy. They will give you rest.’ Instead he said: ‘Come to me, and learn from me, and you will find rest for your souls.’ ” (244)

And: “The difference between judgment and constructive criticism is mercy.” (272)

Yet this is not a book of aphorisms. With stories and a fascinating window into violinmaking which provides a rich metaphor tying it all together, we have a deep look at our life in God, and the art of God in us. The beautiful production of the book matches the content. Printed on heavy coated paper and accented with arresting photographs by Donata Wenders, I urge you also to savor this book.

Dear Mr. Editor Person

Do I get letters? Yes. I get letters.

Dear Mr. Editor Person:

Often I read words or phrases that make my grammatical hair stand on end, my syntactical stomach churn, and my semantical head bow in grief. Someone uses “impact” as if it were a verb or “ask” as if it were a noun, and I become anxious, disoriented, and grumpy with my dog. Do I need medication? Can you help me?

Unsettled in Seattle

Dear Unsettled,

Editors and writers worth their salt have pet peeves. Being a salty person myself, I have many.

I sympathize with your problem. Why do people insist on forcing the word ask to do what it was never meant to do? They don’t even say, “Please,” to such a request. All along we have had a perfectly good noun to use in such situations. Oh, and there it was—request! So, no, I will not make a big ask here. I will make a polite, though perhaps large, request.

No doubt the ship has sailed when it comes to impact. Making it a verb is sadly now just part of standard usage. But I die a little every time I hear or read someone say, “How did that impact you?” or, “We were impacted by the recession.” Couldn’t they say, “The recession had a negative impact on us”? Or what’s wrong with affected or influenced when a verb is needed?

And what is the difference between giftables and gifts? Two extraneous syllables and four unnecessary letters! What could possibly justify creating a gratuitous adjective just to make it into a noun? And don’t get me started on using too many exclamation points!

If, however, I hear one more customer service rep tell me on the phone that they are going to “reach out” to a colleagues instead of “contact” them, I swear I will reach right through the ether and request that someone give that rep the gift of laryngitis. That would have a most salutary impact.

Then there is this. Since when did the undeveloped syntax of the playground retort, “You’re not the boss of me,” become standard adult usage? I have no problem if someone wants to tell me, “You’re not my boss.” That’s something I can engage with respectfully. But the former creates a massive facial tic that interrupts my ability to think rationally.

I’m sure my readers have other similar pet peeves, and I’d be glad to hear them. But what then is the solution for sensitive souls like you, Unsettled, and me?

We must remember that part of the genius of English is its flexibility. New forms and new words pop up all the time—some bad but many good. Time will sort out which is which. Certainly we should oppose confusion, ambiguity, and error. But we can’t eliminate all change if we also want to have the benefits of a versatile language.

Therefore, it is best to remember that for those of us who love language, it is our lot in life to suffer.

Blog Through Your Book?

Should authors blog through the books they are writing? This does not have a one-size-fits-all answer.

I wish I could have said a bit more about it in Write Better where careful readers may have thought they spotted a contradiction. In the preface I say, “Some of what is found in this book was originally posted [at Andy Unedited], though now in a much revised and expanded form.” Much later in appendix A I say, “Don’t give too much of your book away in a blog or web page.”

Did I break my own guideline? You decide. But first let me back up.

Blogging can be good for many reasons. It can help gain an audience for your writing. Blogging regularly can get you in the habit of writing and thus minimize writer’s block. It can also help you practice and improve your craft.

Most bloggers will naturally find themselves gravitating to certain topics over and over. This might trigger a thought that one or more of the topics could become one or more books.

If you start seriously working on such a book, I do not recommend you serialize your book in your blog. That does give away too much content. Now some might get the book anyway because they are your mother. But serializing for free can diminish the value a book that you expect people to pay for.

At the same time, you do want readers to associate you with certain topics. You want to build a reputation as someone who has valuable things to say in specific areas. It is fine then to put preliminary thoughts and ideas related to your book topic in your blog. Here’s a chance to be experimental, to see what works for you and for your audience. Some of these posts may make it into the book in another form. Most should not.

If it turns out that a lot of your book ends up to be taken directly from your blog posts, you might want to consider removing many (not all) of those posts from your blog site shortly before the book is published.

Another guideline is this: the less popular your blog, the more freedom you have to put whatever you want on your blog. If you are already a well-known author, the less you should blog material that might end up in your book. You can and should still do some to pique interest and build anticipation. But not a lot.

And me? I gladly do not consider myself famous. My blog has a modest following. In any case, I worked hard to create a lot of new content just for Write Better. But because I am not competing with Justin Bieber for social media hits, I felt more free to have some overlap between my blog and my book. For whatever reasons, my books have done better than my blog. And I’m not unhappy it has turned out that way.

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photo credit: pixelcreatures, Pixabay

The Dilemma of the Author Website

Building an author platform continues to be a key challenge for people who want to get their work out to a wider audience. One piece in the ongoing task of becoming better known is an author website.

Ken wrote this to me in response to a recent post on Andy Unedited:

One thing that is clear is that I need to make an author website and build a following. One puzzle here is what to put on a home page when you don’t have a relevant book cover to put on the home page. While I find it puzzling, I’ve been told that readers, even those reading non-fiction books, want to be entertained more than they want information. That suggests a home page graphic that is entertaining, even if it has nothing to do with the subject of my writing or my site. Is that an accurate characterization of nonfiction Christian readers?

We have all become very attuned to how things look. Our design sensitivities have been heightened in recent decades. Apple has probably had as much to do with this as anything with the beautiful minimalism that distinguishes its products. So, yes, a blog or website has to have a certain level of sophistication and eye appeal. But it doesn’t have to be expensive or over the top.

Bad or clunky design can distract from your content. Simple and clean is the name of the design game today. Complication is not necessary. That can make it look like you are trying too hard. Design can be beautiful in and of itself, but design should also smooth the way to your content rather than detract from it.

Content is still king, however. People won’t come back to your blog or website if they don’t find what they need or what they enjoy. To entertain doesn’t mean you have to be sitcom humorous or Masterpiece Theater dramatic. Rather be true to yourself while giving readers helpful and interesting content that is appropriately entertaining for your audience and for what you have to say.

One of the best ways we can be sure our audience sticks with us is by working hard at our craft of writing. Watch out for clichés. Use interesting images and metaphors. Have a mix of short and long sentences. Be clear and be thought provoking.

What elements can an author website include? Kimberley Grabas offers some helpful ideas. Here are a few:

• An “About Me” section. Something that tells us not only your biography. But give more than just a resume. Make it human—where you grew up, your interests, and more.

• A blog. A web page can’t be static. New content needs to be included on a regular basis.

• What you’ve written. Generally I don’t think it is necessary to have a website devoted to one book. Include information on all your writings, whether in books, blogs, magazines or elsewhere. Provide links where that is possible to purchase or read them.

• Resources. Include links to the content areas you are most interested in that could be of value to your readers.

• Travel, speaking, news. Show upcoming dates and places you will be presenting or teaching, whether in person or virtually. You can also post upcoming or recent interviews, publications, awards, and the like.

• Sign up. Give people an opportunity to sign up for email notices, newsletters, etc.

• Social media page. Note the links where people can find you on Twitter, Facebook, Instagram or the like.

• Testimonials. Include comments from people who endorse what you’ve had to say and the value you have provided.

Remember: Readers don’t want to be pandered to or patronized. Respect your audience. But also realize they are distracted by hundreds of demands on their attention. Get to the point in an attracting way.

—

photo credit: Pixabay Free-Photos (macbook)

Becoming Drama Free

We’ve all seen it at work, at church, in families, or in other groups. Conflict, gossip, territoriality, defensiveness, and withdrawal. Patterns of dysfunctionality like these persist often because we just don’t have the skills to deal with them or we are afraid that confrontation will just make it worse.

The Drama-Free Office considers four common patterns of behavior that can drag teamwork down and keep the organization from reaching its goals. Maybe you’ll recognize the Complainer (blaming others for their own problems), the Cynic (sniping about everyone else’s problems), the Controller (steamrolling and micromanaging), the Caretaker (overcommitting and rescuing).

As I read, I could think of multiple examples of all these types during my career. Then it dawned on me I could see examples of how at one time or another I have played all four roles as well. The authors therefore emphasize how we can get out of our own drama and into a more open, curious, and constructive posture. Interestingly, it struck me that the specific antidotes suggested for each drama type could be seen as virtual spiritual disciplines.

The book also offers clear, concrete suggestions for working with colleagues, subordinates, and even bosses who exhibit these patterns. We can’t bulldoze our way in these matters. The point is not confrontation but proceeding positively, affirming, and expressing gratitude wherever possible. With our own drama in check and with a goal of reaching concrete agreements, the door is opened to collaboration.

Seeing the Bible with New Eyes

I have a one-question survey that will reveal with near perfect accuracy whether or not you are an individualist. Set? Here it is: Would you readily consider allowing your parents to arrange a marriage for you?

Those of us from a Western culture would never give this the slightest bit of serious consideration. But in collectivist cultures (which make up the majority of the world), people answer yes to this all the time.

Or perhaps slightly less dramatically, what about this? Would you expect your extended family to decide where you go to college? Maybe your nuclear family but definitely not your extended family. Right? Yet this is common in Latino/a and Asian societies.

For individualists, a collective culture is, well, like being in a foreign country. And that’s why, as the authors of Misreading Scripture With Individualist Eye contend, we so often misunderstand the Bible which comes out of collective cultures. We persistently read it through the lens of our own individualistic mindset.

With many stories of their own experiences in the Middle East, Asia, and elsewhere, the authors unpack how kinship, patronage, brokering, honor, shame, and boundaries are all hidden in plain sight in the Bible. A few examples.

Why does Matthew spend all that time laying out Jesus’ genealogy? Because honor often comes from your family, your family’s history, who you are related to. To be descended from Abraham and David brings great honor (Mt 1:1).

Why does Nicodemus come alone at night to talk with Jesus? Not because he feared the other Pharisees. Rather he didn’t want to inadvertently shame Jesus publicly by asking a question that might be seen as a challenge to a teacher he clearly respected (Jn 3:2).

When Jacob gives Rachel’s son, Joseph, the multicolored coat, the other sons aren’t jealous because he got a better Christmas gift? No. It was much more serious. They realized this meant Joseph was going to be treated as the first-born and get their father’s inheritance. They were angry that their side of the family (all being sons of Leah) would be dependent on Joseph’s generosity, which seemed unlikely from this arrogant kid. This is not an individual’s rags-to-riches story. It is a story of kinship and family reconciliation. Both sides forgive the other for the wrongs they did.

The discussion on shame is especially illuminating because we often only have one definition of shame, and it’s bad—something to always be avoided. But in Scripture and much of the world, there is also a good kind of shame that seeks to nudge people in the community back into proper behavior. It’s kind of like our conscience. Having a sense of shame beforehand can keep us from acting wrongly, not just feel bad after acting wrongly. The book offers multiple examples of when shame creates a path for restoration—which is good shame. When it seeks to exclude and cut others off, that is bad shame.

From a Western perspective, we might see patronage as creating unhealthy dependence, even being oppressive. But those inside see it as providing protection, meeting needs, giving security. Yes, it can be abused, but the problem then is not the system but the people in it.

Our lack of a corporate sense can minimize our commitment to the church and even to family that the Old and New Testaments assume. I am not just saved, you see. The Bible says I am also saved into a community.

The point of the book is not to expunge our individualism. That wouldn’t be possible in any case. Rather, we have much to learn about what the Bible is really saying by putting on collectivist glasses. And we have much to learn about living biblically from our brothers and sisters in the faith who come from such backgrounds.

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I received a prepublication complimentary copy of this book from the publisher. The opinions here are my own.

credit: Joseph Redfield Nino from Pixabay

The Problem with Talking to Strangers

The problem with talking to strangers is that most of us think we know how to “read” people. Gestures, tone of voice, facial expressions seem self-evident. As Malcolm Gladwell reveals in his book Talking to Strangers, they are not.

Both Neville Chamberlain and Lord Halifax met Hitler multiple times and thought him trustworthy. Why? Dozens, perhaps hundreds, of intelligent and worldly-wise people trusted the Ponzi King, Bernie Madoff, many losing their life savings. Why?

On the other hand, psychological studies show that people who are fidgety and say awkward things are often telling the truth. Why do we misread them so badly?

With his trademark story-telling abilities and riveting methodical style, Gladwell unpacks the dynamics that make us often trust people we shouldn’t and distrust those we should trust. The recorded interviews of the enhanced audiobook give it a dramatic podcast feel.

Gladwell begins and ends the book with the story of Sandra Bland, the 28-year-old African American who in 2015 was stopped for a minor traffic infraction, arrested, and committed suicide in jail three days later. He methodically unpacks the recorded July 10 encounter with State Trooper Brian Encinia.

In the course of subsequent chapters he goes deeper into the evolution of policing practices over the last fifty years. Misapplied conclusions from initially successful policing practices has led to unnecessary suspicion that has harmed the police and the communities they serve.

Talking to Strangers is perhaps Malcolm Gladwell’s most important book that should be required reading for many, especially anyone who supervises law enforcement officers.

Solving a Coauthoring Problem

Coauthors have a problem.

How do you speak about yourselves in a book or article? Who is the “I” in your piece? Do you always use “we”? But what if you are telling a story of one author but not the other? Do you always say “I (Andy) once . . .”? But that can be awkward and intrusive.

In an appendix to Write Better I offer four options for how to handle this perennial problem. Each has its advantages and disadvantages. A recently coauthored book by Randy Richards and Richard James, Misreading Scripture Through Individualistic Eyes, offers a creative fifth option: Use “I” throughout and never identify which author this refers to.

The advantages are many. Readers don’t trip over the “I (Andy) once . . .” formula. Each author can freely tell their own stories in first person. This is also less awkward than one author using first person and the other being referred to in third person (“Once Andy . . .”). It likewise avoids the oddly impersonal option of both using third person.

But doesn’t Richard’s and James’s solution create confusion? How can you mix two different lives as if they were one? Because of that, this solution won’t work for many coauthored books. But it works in this case for a couple reasons they mention in the preface.

First, in this book half the chapters were not written by one author and the rest by the other. Rather the two were constantly sending all the chapters back and forth, drafting, adding, deleting, revising, reworking.

Second, and I think this is key, the stories they each tell are in a narrow range. They only have to do with their cross-cultural experiences—not about their children, marriages, early life, and so forth. And understanding other cultures is the focus of the book. In addition, they tell us that stories from the Middle East usually originated with Rich, and those from eastern Asia usually started with Randy.

Where coauthors tell stories from very different life histories, this won’t be a feasible solution. But these colleagues make it work.