Tuesday Round Up

Charitable Writing

Just released is a terrific resource by Richard Gibson and James Beitler entitled Charitable Writing. I was glad to offer this endorsement:
“Who we are is absolutely foundational for anything we write. Gibson and Beitler take us to the heart of this largely unexamined principle. Without being grounded as people, our writing will run into a ditch, or we will, or both. As just one instance of this, the authors unmask the menacing metaphor of argument as a form of war, generously offering alternatives to reshape us. Throughout they gently yet firmly guide us to embrace loving others not only in what we write but in how we write.”

Books of the Year

Last month I reviewed Reading While Black. What I  called “a necessary book for all of us” has just been named the Christianity Today Beautiful Orthodoxy Book of the Year. Congratulations, Esau McCaully!

In addition, the Culture and Arts Book of the Year went to The Sound of Life’s Unspeakable Beauty which earlier I called “beautiful and profound . . . With stories and a fascinating window into violinmaking which provides a rich metaphor tying it all together, we have a deep look at our life in God, and the art of God in us.” A tour de force by Martin Schleske.

Common Writing Slip-ups

Here are some great little reminders. I suspect I’ve messed up “sleight of hand” and “bated breath” more than once.

Advice That’s Out of This World

Ray Bradbury, whose 100th birthday we celebrate this year, offered some dandy writing advice during his long career. Here are some salient snippets from interviews, talks, and essays. Of course his emphasis is fiction, but so much of what he says applies to any kind of writing.

Hope Seasoned with Humility

In a day when so many of us think we are RIGHT while so many others are WRONG, Reinhold Niebuhr’s neglected classic, The Irony of American History, deserves wide reading. Published the year I was born (1952), in the context of a world dominated by the sharply defined conflict between democracy and communism, its clear message is still important today.

As much as we would like to change the world (regardless of our ideals from the right or left), we inevitably bump into both our finiteness and our selfishness (or guilt, as Niebuhr calls it). When we ignore these limitations, trouble inevitably follows, sometimes tragically on a massive scale.

The problem is that in our idealism we are “too blind to the curious compounds of good and evil in which the actions of the best men and nations abound” (p. 133). Aleksandr Solzhenitsyn echoed Niebuhr when he famously said, “The line separating good and evil passes not through states, nor between classes, nor between political parties either – but right through every human heart.”

The world is just immensely more complicated than we can imagine or give credit for. We forget, as Niebuhr says, that we are not just a creator of history but also its creature. Therefore, our overly energetic attempts to control it are sure to be met with disappointment or worse.

Throughout the book Niebuhr is a penetrating critic of communism’s flaws and failings, saying, for example, “Communism is a vivid object lesson in the monstrous consequences of moral complacency about the relation of dubious means to supposedly good ends” (p. 5). Yet he is also clear-eyed about how the American experiment can go haywire.

Free market thinking, for example, is very aware of the dangers of political and military power (especially seeking to limit the former) but downplays the reality of economic power, and sees little need to limit that. Part of the pragmatic virtue (and irony) of the American system is that we were able to recognize this and act on it at least somewhat. The labor movement and the New Deal of the last century created more financial equity and justice while still allowing capitalism to continue to dominate our theories.

Writing about the early 20th century he said, “The significant point in the American development is that here, no less than in Europe, a democratic political community has had enough virtue and honesty to disprove the Marxist indictment that government is merely the instrument of privileged classes” (p. 100).

America’s potential problems extend into other realms as well. “The American situation is such a vivid symbol of the spiritual perplexities of modern man, because the degree of American power tends to generate illusions to which a technocratic culture is already too prone. This technocratic approach to problems of history . . . accentuates a very old failing in human nature: the inclination of the wise, or the powerful, or the virtuous, to obscure and deny the human limitations in all human achievements and pretensions” (p. 147).

Niebuhr’s final chapter lays out what he means by irony—how two contrasting elements come together in a person or a nation with one arising from the other. A strength also contains a hidden weakness, for example. He goes on to highlight the foundation for this view of history, which comes from the biblical perspective of a “divine judge who laughs at human pretensions without being hostile to human aspirations” (p. 155).

Humility in spirit and modesty in ambition is not a message corporate kingpins, political powerbrokers, or even many humanitarian heroes want to hear. Such restraint does not suit them. Nor does pragmatism seem to rally a constituency as fervently as zealous idealism.

Yet his message is essential. That doesn’t mean we have no hope. Rather our hope and ideals are to be seasoned with realism about the world and with humility about ourselves.

The Good News About Daniel

Daniel is one of the most popular and yet challenging books in the Bible. In plain language yet without oversimplifying, Tremper Longman guides us with a steady hand through its sometimes wild passages. While not a commentary, How to Read Daniel insightfully walks us through the main aspects of each chapter.

Daniel is divided into two seemingly distinct parts. The first half consists of six stirring stories (court tales) of Daniel and his three friends. These include the famous scenes of the fiery furnace, the lion’s den, and the writing on the wall. The second half consists of four visions of the future that are full of strange images and figurative language. What binds them all together, as Longman regularly reminds us, is to assure readers that whether we have difficulties in the present or in the future, God is in control of history and he will have the final victory.

Daniel’s point is not to give a timetable (a point many readers miss) but to tell his readers (and us) that God will make all things right and that our role is to live faithfully in the meantime.

Longman believes Daniel was written earlier rather than in the second century BC (after the prophesied events took place), as many recent scholars contend. But he does not much argue either his case nor the case of those who hold to the later date.

His final two chapters are especially valuable on how to read Daniel as 21st-century Christians in hostile cultures. He notes there is no “one-size-fits-all formula for how . . . to interact with powerful forces that are not friendly to our religious values.” Sometimes Daniel and his friends respond only in private and sometimes in public. Sometimes they seek to persuade rather than confront. “The one thing that is clear and consistent is that they do not go out of their way to offend the authorities” (148). Instead they use wisdom and civility while remaining faithful in difficult circumstances.

He also shows balance and commitment to the text this way: “While there is nothing wrong with trying to persuade the broader culture toward Christian values, there is everything wrong with trying to use the power of the state to make non-Christians act like Christians” (166). The important truth Longman leaves with us is this: In the face of much uncertainty and many difficulties, Christians can live without fear because we know the end of the story.

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I received a complimentary copy of this book from the publisher. My opinions are my own.

Tuesday Round Up

Hear are a few, brief, miscellaneous items of interest. (See the last piece regarding this string of adjectives.)

Click on the Headline

Some of you who subscribe to Andy Unedited have mentioned that the font size is small in the email alert you receive. If you just click on the headline of the blog found in the email, you will be sent to the blog website which is much more readable. (So, for example, if you get this in an email, put your cursor on “Tuesday Round Up” in the email and then click! Easy as eating pumpkin pie.)

1917

My wife and I recently rented the DVD of this gripping story of two British soldiers in World War I who make an amazing 24-hour journey to deliver a message that could save hundreds of lives. The unusual use of only one camera during the entire film heightens not only the immersive immediacy of the movie but the dogged courage of this pair.

Write Better ebook and paperback sale

In honor of Cyber Monday coming up next week, the ebook edition of Write Better is now available for sale on Amazon.com and will soon be on ChristianBook.com for only $4.99 through December 2. Mark your calendar and take advantage.

You can also save 50% on the paperback edition (and a truckload of other IVP books) through Christmas just by clicking this link. Tell your friends. Happy Holidays!

Hope*Writers

I was recently interviewed by the good folks at Hope*Writers, a community helping people with the art of writing with the business of publishing. You can view it for free here as I discuss the importance of beginnings and endings, why determining your audience is so key (and how to do it), as well as ways to engage readers.

The Crazy Grammar Rule You Never Heard Of

Most click-bait headlines disappoint. The actual article ends up to be so lame compared to the come-on. But this one about the crazy “Grammar Rule You Know But Have Never Heard Of” is absolutely spot on. I never knew this complex rule as a rule, but I instinctively follow it all the time. So do you. Mind blown!

Reading While Black

We all read the Bible from our own viewpoint, from within our own culture and background. Our circumstances make us ask certain questions we wouldn’t ask otherwise. We could consider this a disadvantage. How could we know what the Bible really said when we are inevitably limited? But what if this were a blessing? What if this drawback allowed God to speak with truth and power to our particular situations?

Consider Martin Luther. His context of an often legalistic and corrupt church made him ask certain questions of the Bible about salvation. Or Dietrich Bonhoeffer. His experiences with the black church in Harlem and Hitler’s regime in Germany drove him to ask certain questions about how Christians and the church should relate to the government. Their answers did not encompass all the Bible said, but they were true.

This is what Esau McCaulley offers in Reading While Black. He found himself both feeling at home and not feeling at home with black and white progressives as well as with black and white evangelicals. Could he forge a new path that was unapologetically black and unapologetically orthodox? With pain and hope he points the way to true answers.

Several years ago, when I heard Esau McCaulley offer initial thoughts on a theology of policing, I thought, “What an amazing, creative question to ask, and what an intriguing, substantive proposal he makes!” In this book McCaulley also asks: How should the church offer a political witness? What is a full-orbed view of justice? How can Blacks gain identity from Scripture? What should Blacks do with the rage they feel from the injustices they’ve experienced? Does the Bible justify slavery as some contended for centuries?

The insights he offers to these are many and stirring. For example, he reminds us that Romans 13 is not the only passage about attitudes toward government in the Bible. In Luke 13:32-33 Jesus shows no deference toward a particular ruler. In Luke 1:51-53 Mary looks forward to governments which are not run by prideful men but which help the poor (echoing Isaiah).

He also highlights the beginning of the fulfillment of God’s promise that all nations would be blessed through Abraham when Jacob adopts Joseph’s two sons (his two biracial, half-African sons!) as his own in Genesis 48:3-5. Can those of African descent especially find their place in God’s promises? Indeed!

Then there is the question of black rage. I found his thoughts on the psalms of lament and imprecatory psalms to be some of the most powerful reflections he has to offer in the book.

The answers that Luther and Bonhoeffer found in the Bible are true—but they aren’t exactly the same. McCaulley simply asks for the same privilege that was accorded these gentlemen to struggling with difficult texts and difficult contexts.

Yet if everyone comes to the Bible from a different place, how can we know what it really says? Should we stop asking what the central message of the Bible is? McCaulley says no. We should instead ask (as he does) which understanding “does justice to as much of the biblical witness as possible. There are uses of Scripture that utter a false testimony about God.” (p. 91).

Esau McCaulley wrote this important book for himself. As a result he has also written a necessary book for all of us.

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I received a complimentary copy of this book from the publisher. My opinions are my own.

Beautiful and Profound

Martin Schleske is a lifelong luthier (violinmaker) whose art has interwoven with his faith such that the two are one. His recent volume, The Sound of Life’s Unspeakable Beauty, is his meditation on both.

When a friend gave me his book, one of the most beautiful and profound works I’ve read, he wisely suggested I savor a few pages at a time. The depth of each page, of each paragraph, of each sentence made it worthwhile to do just that. Over the period of a few months I sojourned through this book.

I found myself copying over dozens of insights, slowing me down enough to ponder each. Here is one: “Humility does not lie in thinking little of myself but in thinking enough of others to serve them.” (115)

Then this: “What is faith? That which takes part in God’s adventure. What is love? That which takes part in God’s resolve. What is hope? That which participates in the world’s loving and faithful development.” (183)

And another: “The only thing that suffering has to say is this: Be there for each other!” (231)

And this: “Jesus did not say: ‘Listen to the following definition of God. It should be your faith. Blessed are those who believe that their doctrines are holy. They will give you rest.’ Instead he said: ‘Come to me, and learn from me, and you will find rest for your souls.’ ” (244)

And: “The difference between judgment and constructive criticism is mercy.” (272)

Yet this is not a book of aphorisms. With stories and a fascinating window into violinmaking which provides a rich metaphor tying it all together, we have a deep look at our life in God, and the art of God in us. The beautiful production of the book matches the content. Printed on heavy coated paper and accented with arresting photographs by Donata Wenders, I urge you also to savor this book.

Dear Mr. Editor Person

Do I get letters? Yes. I get letters.

Dear Mr. Editor Person:

Often I read words or phrases that make my grammatical hair stand on end, my syntactical stomach churn, and my semantical head bow in grief. Someone uses “impact” as if it were a verb or “ask” as if it were a noun, and I become anxious, disoriented, and grumpy with my dog. Do I need medication? Can you help me?

Unsettled in Seattle

Dear Unsettled,

Editors and writers worth their salt have pet peeves. Being a salty person myself, I have many.

I sympathize with your problem. Why do people insist on forcing the word ask to do what it was never meant to do? They don’t even say, “Please,” to such a request. All along we have had a perfectly good noun to use in such situations. Oh, and there it was—request! So, no, I will not make a big ask here. I will make a polite, though perhaps large, request.

No doubt the ship has sailed when it comes to impact. Making it a verb is sadly now just part of standard usage. But I die a little every time I hear or read someone say, “How did that impact you?” or, “We were impacted by the recession.” Couldn’t they say, “The recession had a negative impact on us”? Or what’s wrong with affected or influenced when a verb is needed?

And what is the difference between giftables and gifts? Two extraneous syllables and four unnecessary letters! What could possibly justify creating a gratuitous adjective just to make it into a noun? And don’t get me started on using too many exclamation points!

If, however, I hear one more customer service rep tell me on the phone that they are going to “reach out” to a colleagues instead of “contact” them, I swear I will reach right through the ether and request that someone give that rep the gift of laryngitis. That would have a most salutary impact.

Then there is this. Since when did the undeveloped syntax of the playground retort, “You’re not the boss of me,” become standard adult usage? I have no problem if someone wants to tell me, “You’re not my boss.” That’s something I can engage with respectfully. But the former creates a massive facial tic that interrupts my ability to think rationally.

I’m sure my readers have other similar pet peeves, and I’d be glad to hear them. But what then is the solution for sensitive souls like you, Unsettled, and me?

We must remember that part of the genius of English is its flexibility. New forms and new words pop up all the time—some bad but many good. Time will sort out which is which. Certainly we should oppose confusion, ambiguity, and error. But we can’t eliminate all change if we also want to have the benefits of a versatile language.

Therefore, it is best to remember that for those of us who love language, it is our lot in life to suffer.

Blog Through Your Book?

Should authors blog through the books they are writing? This does not have a one-size-fits-all answer.

I wish I could have said a bit more about it in Write Better where careful readers may have thought they spotted a contradiction. In the preface I say, “Some of what is found in this book was originally posted [at Andy Unedited], though now in a much revised and expanded form.” Much later in appendix A I say, “Don’t give too much of your book away in a blog or web page.”

Did I break my own guideline? You decide. But first let me back up.

Blogging can be good for many reasons. It can help gain an audience for your writing. Blogging regularly can get you in the habit of writing and thus minimize writer’s block. It can also help you practice and improve your craft.

Most bloggers will naturally find themselves gravitating to certain topics over and over. This might trigger a thought that one or more of the topics could become one or more books.

If you start seriously working on such a book, I do not recommend you serialize your book in your blog. That does give away too much content. Now some might get the book anyway because they are your mother. But serializing for free can diminish the value a book that you expect people to pay for.

At the same time, you do want readers to associate you with certain topics. You want to build a reputation as someone who has valuable things to say in specific areas. It is fine then to put preliminary thoughts and ideas related to your book topic in your blog. Here’s a chance to be experimental, to see what works for you and for your audience. Some of these posts may make it into the book in another form. Most should not.

If it turns out that a lot of your book ends up to be taken directly from your blog posts, you might want to consider removing many (not all) of those posts from your blog site shortly before the book is published.

Another guideline is this: the less popular your blog, the more freedom you have to put whatever you want on your blog. If you are already a well-known author, the less you should blog material that might end up in your book. You can and should still do some to pique interest and build anticipation. But not a lot.

And me? I gladly do not consider myself famous. My blog has a modest following. In any case, I worked hard to create a lot of new content just for Write Better. But because I am not competing with Justin Bieber for social media hits, I felt more free to have some overlap between my blog and my book. For whatever reasons, my books have done better than my blog. And I’m not unhappy it has turned out that way.

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photo credit: pixelcreatures, Pixabay

The Dilemma of the Author Website

Building an author platform continues to be a key challenge for people who want to get their work out to a wider audience. One piece in the ongoing task of becoming better known is an author website.

Ken wrote this to me in response to a recent post on Andy Unedited:

One thing that is clear is that I need to make an author website and build a following. One puzzle here is what to put on a home page when you don’t have a relevant book cover to put on the home page. While I find it puzzling, I’ve been told that readers, even those reading non-fiction books, want to be entertained more than they want information. That suggests a home page graphic that is entertaining, even if it has nothing to do with the subject of my writing or my site. Is that an accurate characterization of nonfiction Christian readers?

We have all become very attuned to how things look. Our design sensitivities have been heightened in recent decades. Apple has probably had as much to do with this as anything with the beautiful minimalism that distinguishes its products. So, yes, a blog or website has to have a certain level of sophistication and eye appeal. But it doesn’t have to be expensive or over the top.

Bad or clunky design can distract from your content. Simple and clean is the name of the design game today. Complication is not necessary. That can make it look like you are trying too hard. Design can be beautiful in and of itself, but design should also smooth the way to your content rather than detract from it.

Content is still king, however. People won’t come back to your blog or website if they don’t find what they need or what they enjoy. To entertain doesn’t mean you have to be sitcom humorous or Masterpiece Theater dramatic. Rather be true to yourself while giving readers helpful and interesting content that is appropriately entertaining for your audience and for what you have to say.

One of the best ways we can be sure our audience sticks with us is by working hard at our craft of writing. Watch out for clichés. Use interesting images and metaphors. Have a mix of short and long sentences. Be clear and be thought provoking.

What elements can an author website include? Kimberley Grabas offers some helpful ideas. Here are a few:

• An “About Me” section. Something that tells us not only your biography. But give more than just a resume. Make it human—where you grew up, your interests, and more.

• A blog. A web page can’t be static. New content needs to be included on a regular basis.

• What you’ve written. Generally I don’t think it is necessary to have a website devoted to one book. Include information on all your writings, whether in books, blogs, magazines or elsewhere. Provide links where that is possible to purchase or read them.

• Resources. Include links to the content areas you are most interested in that could be of value to your readers.

• Travel, speaking, news. Show upcoming dates and places you will be presenting or teaching, whether in person or virtually. You can also post upcoming or recent interviews, publications, awards, and the like.

• Sign up. Give people an opportunity to sign up for email notices, newsletters, etc.

• Social media page. Note the links where people can find you on Twitter, Facebook, Instagram or the like.

• Testimonials. Include comments from people who endorse what you’ve had to say and the value you have provided.

Remember: Readers don’t want to be pandered to or patronized. Respect your audience. But also realize they are distracted by hundreds of demands on their attention. Get to the point in an attracting way.

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photo credit: Pixabay Free-Photos (macbook)

Becoming Drama Free

We’ve all seen it at work, at church, in families, or in other groups. Conflict, gossip, territoriality, defensiveness, and withdrawal. Patterns of dysfunctionality like these persist often because we just don’t have the skills to deal with them or we are afraid that confrontation will just make it worse.

The Drama-Free Office considers four common patterns of behavior that can drag teamwork down and keep the organization from reaching its goals. Maybe you’ll recognize the Complainer (blaming others for their own problems), the Cynic (sniping about everyone else’s problems), the Controller (steamrolling and micromanaging), the Caretaker (overcommitting and rescuing).

As I read, I could think of multiple examples of all these types during my career. Then it dawned on me I could see examples of how at one time or another I have played all four roles as well. The authors therefore emphasize how we can get out of our own drama and into a more open, curious, and constructive posture. Interestingly, it struck me that the specific antidotes suggested for each drama type could be seen as virtual spiritual disciplines.

The book also offers clear, concrete suggestions for working with colleagues, subordinates, and even bosses who exhibit these patterns. We can’t bulldoze our way in these matters. The point is not confrontation but proceeding positively, affirming, and expressing gratitude wherever possible. With our own drama in check and with a goal of reaching concrete agreements, the door is opened to collaboration.