Upside Down Writing Strategies

One of the best writing strategies is to write a lot of bad stuff. Yes, the more bad stuff we write, the better. If that sounds counterintuitive, it is. Here’s how it works.

One reason Beethoven and Picasso produced so many great works was that they produced a lot of ordinary, unknown works. We might know a couple of Beethoven’s nine symphonies, the last of his five piano concertos, his one violin concerto, maybe his opera Fidelio, and probably “Für Elise.” But in his 45-year career, he wrote at least 722 pieces.

He produced twenty variations for piano, dozens of sonatas for piano, for violin, and for cello, chamber music including sixteen string quartets, and more. Yet only a few are in the standard canon of often-played pieces; only a few are considered masterpieces.

We know Picasso as the twentieth-century artistic genius who created Guernica, the sculpture in Chicago’s Daley Plaza, and stunning abstract portraits. But he produced “more than 1,800 painting, 1,200 sculptures, 2,800 ceramics, 12,000 drawings as well as prints, rugs and tapestries—only a fraction of which ever garnered acclaim.”*

We know creative geniuses for their few great works. What we don’t know is that in general they simply outproduced their peers. Creating so much increased their odds that a few would be landmark creations.

We shouldn’t be afraid to create junk or to write something that’s ordinary. For thirteen years I have been blogging at Andy Unedited. In that time I have produced over six hundred posts. I do my best but most of them are just OK. A few, I think, are very good Yet I wouldn’t have written any good ones if I didn’t have the discipline of trying to produce something every week, including the commonplace ones.

A second upside down writing strategy is to do stuff besides write. Studies have shown that scientists are twelve times more likely to win a Nobel price if they write poetry, plays, novels or other works, than if they don’t. And twenty-two times more likely if they perform as an amateur actor, dancer, or magician.** To be more creative with our writing we should branch out.

If you write mystery novels, experiment with poetry. If history is your field, try literary fiction. Take up a musical instrument, go to museums, do some painting, throw clay pots, immerse yourself in Japanese culture. As I say in chapter 11 of Write Better, when we have a wider range of new experiences and ideas that we are exposed to, the more we will make interesting connections that can inspire our writing.

A third strategy: Don’t start at the beginning. If you are writing a book, don’t start with the first chapter, start with the easiest chapter—the one you’ve thought about a lot already.

If you are writing a chapter or an article, don’t begin with the first paragraph. Start with the easiest thing for you to write, whatever comes to your mind. It doesn’t have to be great or even good. It just has to be there. You can (and should) always revise later.

I emphasize this strategy with writers because it is the one piece of writing advice that I give to myself most often. Every time I sit down to write, I pause. and tell myself, don’t worry about where to start. Just start . . . anywhere, with any related or semi-related idea or story, whether good or bad. Just start.

What writing strategies have you found helpful?

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*Adam Grant, Originals, p. 36.
**Adam Grant, Originals, p. 47.

Credits: Daley Plaza (www.chicago.gov); Guernica (Pixabay, Almudena Sanz Tabernero)

Why Do We Hate Each Other?

Tomorrow, January 20, the United States will inaugurate its 46th president, Joe Biden. Given the contentious political year it has been, I thought it appropriate to repost my blog from February 8, 2019, about an important book by Republican Senator Ben Sasse (Nebraska) regarding the non-political reasons for our divides.

Why are Americans so at odds with each other? Why have so many people entrenched themselves in opposing camps, viciously vilifying each other? What has turned us into a nation of Us vs. Them?

Is cable news responsible? Did the Russians do it? Does it go back to Newt Gingrich or the Robert Bork confirmation?

In his book, Them, Senator Ben Sasse has a very unpolitical answer. It’s because, he says, we are lonely. We have fewer friends. We are more disconnected from our communities. So we grasp for a group to feel part of, to identify with. More and more that manifests itself in our political and social identities.

Since World War II single-person households have tripled to 26 percent. Technology has also pushed us into self-reinforcing corners where we just don’t encounter people as people who might have differing views. Other significant factors are at work as well.

Yes, cable news and radio talk showmen and show women have taken advantage of our situation. And yes, the Russians have fanned the flames too with more than 50,000 Russian-linked Twitter accounts fueling outrage by sending automated messages on both sides of issues. But these only feed on a pre-existing condition.

What’s the cure for our illness? The last half of the book offers several worthwhile remedies, from setting tech limits in our personal lives to building into a neighborhood or community to re-educating ourselves on how democracy works and what it stands for.

Sasse regularly says the book is not political in the sense of party politics or hot-button issues. He is right. The book is social and personal. When he does touch on political examples, he is to be commended for being very evenhanded–criticizing and praising as appropriate both right and left, both politicians and journalists, both Republicans and Democrats. Sasse models how we can treat each other as human beings, as fellow Americans who deserve our listening ear and our respect.

Writer at Work

Robert Caro’s book on Robert Moses and four books on Lyndon Johnson are legendary for their length (a total of almost 5,000 pages) and the length between volumes (about a decade). In Working, a collection of interviews and articles, we learn something of the method in his madness.

His passion is not just to inform readers but to help them see the force of these men and feel their impact. To do so he goes to tremendous, time-consuming lengths to track down and interview incredibly hard to find people and page through tens of thousands of pages of documents.

Caro was, for example, intent on finding out how Johnson’s ambition showed itself even in college. Everyone told him, however, that one key fellow student, Vernon Whiteside, was dead. Then one person said Vernon was alive and planning to live in a mobile home north of Miami in a town with “Beach” in the name. Caro and his wife tracked down every mobile home court in those towns (using phone books!) and finally found him–but didn’t call. He flew there to talk in person.

Multiply that by hundreds and we get some idea of why his books are so long and took so long.

Caro’s other passion is explaining how political power works because it has a tremendous effect on our lives. Robert Moses was determined to reshape New York City with bridges, highways, parks, and other public works. To do so, during his forty years in power, Moses displaced a half million of New York’s fourteen million people—forcing them out of their homes, destroying communities. In a democracy, Caro wants us to know how that kind of power (of an unelected official) works.

His powerful interviewing techniques range from the common (use silence to get people to fill in the quiet) to the persistent (asking over and over, “What did you see?”) to the obsessive (moving to the Hill Country of Texas for three years) to knowing the importance of place (taking Johnson’s brother to the Johnson Boyhood Home after visiting hours to trigger hidden memories of difficult dinner conversations between his brother and their father).

The book is disjointed and a bit repetitive because of its nature as a collection. But the dozens of fascinating anecdotes and tidbits give us a window into the work a writer with keen instincts and tenacity.

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image: flyleaf of Working by Robert Caro (edited manuscript page by the author)

NCIS–My Guilty Pleasure

NCIS is a predictable TV crime series that has just launched its eighteenth season. We usually start with a dead body. Because the death is connected to the Navy, the Naval Criminal Investigative Service (NCIS) team (led by Special Agent Jethro Gibbs played by Mark Harmon) grabs their gear and solves the crime.

High level technical analysis of DNA, chemicals, cell phone usage, facial recognition, and bank accounts lead them to the killer. One or two obvious, but ultimately innocent, suspects are thrown in to throw us off track. They rarely do. Quirky conversations among the team members give it a light accent. It’s all very formulaic. And I love it.

Why? We live in a world that often seems so random and chaotic. None of us knows who will get cancer next, be in a car accident, or where the next war will break out. Experts famously fail in making such predictions. We can increase the odds of living a healthy life, but we have no guarantees.

NCIS offers a different message. It tells us that the world has order. One of Gibbs’s famous rules, in fact, is “There are no coincidences.” We can know the truth. It takes hard work, hard science, teamwork, and intuition, but we can find it.

Some criticize crime procedurals like NCIS for more than their lack of artistic merit. As Helen Lewis notes, “In his book Homicide, David Simon argues that crime procedurals have created an expectation among juries that a trial will present them with a clear motive, a logical sequence of events, and some slam-dunk evidence for good measure. Many are surprised to find that real life is rarely so generous.”

Despite its shortcomings, NCIS has one more important message that I need to hear, that we need to hear: Justice exists and it is worth fighting for. Right and wrong are real, and we can successfully fight the wrong and work for the right. We may have setbacks and it may be complicated, but we can get there. And even if we don’t, it is right to try.

Yes, for me NCIS is a guilty pleasure, but I don’t feel too guilty.

New Year’s Reading Resolutions

I generally don’t make New Year’s resolutions for all the usual reasons. I do get regular exercise and watch my weight. But making plans at the beginning of the year don’t seem to get me very far.

One exception is reading. One tool I’ve found that helps keep me making progress is the Goodreads Reading Challenge. Goodreads is social networking site that is just about books. Friends post what they want to read, what they have read, give books a rating, and sometimes offer a review. I don’t try to get thousands of “friends.” Just a few hundred is plenty.

As each year begins, Goodreads (owned by Amazon) invites people to set a target for the number of books they’d like to read. Some pick ten, some twenty, some a hundred. Then each time you log on, you get a reminder of how you’re doing.

In recent years I’ve aimed at about fifty, and I’ve hit that target. This year I only read forty. That’s no cause to beat myself up. I’m sure I’ve been reading more than I would have otherwise just because that target is out there.

One friend recently told me that he thinks reading huge quantities is a mistake. Much better to read deeply. There is much merit in that. The beauty of a target like the Goodreads Reading Challenge is that we can pick a number that is right for us. It’s not the only way to measure how well we are reading. It can, however, be one helpful way.

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photo credit: Pixabay geralt

Favorite Day of the Year

December 21, the darkest day of the year, is my wife’s favorite. Why? Because it means that now every day will have more and more light.

Scholars don’t know and the Bible isn’t clear about what time of year Jesus was born. Nonetheless, December 25 is appropriate because (in the northern hemisphere at least) we are at the beginning of a period of increasing light each day. Jesus’ birth is associated with light in the Bible, and not just with the famous star the wise men followed. When the angels appeared to the shepherds, “the glory of the Lord shone around them” (Luke 2:9). But there is more.

A few days later, when Mary and Joseph present the infant Jesus in the temple, they were met by an old man named Simeon. God had promised him he’d see the Messiah before he died. When he saw the trio he took Jesus in his arms and said:

“My eyes have seen your salvation,
     which you have prepared in the sight of all nations:
 a light for revelation to the Gentiles,
    and the glory of your people Israel.” (Luke 2:30-32)

The light to the Gentiles was a reference to the Servant of the Lord promised by the prophet Isaiah (42:6). Not only was he to be a light to Israel but to everyone.

John’s gospel makes the same connection, describing Jesus as “the light of all mankind. The light shines in the darkness, and the darkness has not overcome it.” (John 1:4-5)

It is easy to focus on the darkness this time of year, especially with all the troubles we see around us. And those are real. Yet even in darkness we hold in Christ the hope that each day we will have more and more light.

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Photo credits: Sunrise (Andrew Le Peau); Milky Way (Pixabay, Felix Mittermeier) 

Tuesday Round Up

Charitable Writing

Just released is a terrific resource by Richard Gibson and James Beitler entitled Charitable Writing. I was glad to offer this endorsement:
“Who we are is absolutely foundational for anything we write. Gibson and Beitler take us to the heart of this largely unexamined principle. Without being grounded as people, our writing will run into a ditch, or we will, or both. As just one instance of this, the authors unmask the menacing metaphor of argument as a form of war, generously offering alternatives to reshape us. Throughout they gently yet firmly guide us to embrace loving others not only in what we write but in how we write.”

Books of the Year

Last month I reviewed Reading While Black. What I  called “a necessary book for all of us” has just been named the Christianity Today Beautiful Orthodoxy Book of the Year. Congratulations, Esau McCaully!

In addition, the Culture and Arts Book of the Year went to The Sound of Life’s Unspeakable Beauty which earlier I called “beautiful and profound . . . With stories and a fascinating window into violinmaking which provides a rich metaphor tying it all together, we have a deep look at our life in God, and the art of God in us.” A tour de force by Martin Schleske.

Common Writing Slip-ups

Here are some great little reminders. I suspect I’ve messed up “sleight of hand” and “bated breath” more than once.

Advice That’s Out of This World

Ray Bradbury, whose 100th birthday we celebrate this year, offered some dandy writing advice during his long career. Here are some salient snippets from interviews, talks, and essays. Of course his emphasis is fiction, but so much of what he says applies to any kind of writing.

Hope Seasoned with Humility

In a day when so many of us think we are RIGHT while so many others are WRONG, Reinhold Niebuhr’s neglected classic, The Irony of American History, deserves wide reading. Published the year I was born (1952), in the context of a world dominated by the sharply defined conflict between democracy and communism, its clear message is still important today.

As much as we would like to change the world (regardless of our ideals from the right or left), we inevitably bump into both our finiteness and our selfishness (or guilt, as Niebuhr calls it). When we ignore these limitations, trouble inevitably follows, sometimes tragically on a massive scale.

The problem is that in our idealism we are “too blind to the curious compounds of good and evil in which the actions of the best men and nations abound” (p. 133). Aleksandr Solzhenitsyn echoed Niebuhr when he famously said, “The line separating good and evil passes not through states, nor between classes, nor between political parties either – but right through every human heart.”

The world is just immensely more complicated than we can imagine or give credit for. We forget, as Niebuhr says, that we are not just a creator of history but also its creature. Therefore, our overly energetic attempts to control it are sure to be met with disappointment or worse.

Throughout the book Niebuhr is a penetrating critic of communism’s flaws and failings, saying, for example, “Communism is a vivid object lesson in the monstrous consequences of moral complacency about the relation of dubious means to supposedly good ends” (p. 5). Yet he is also clear-eyed about how the American experiment can go haywire.

Free market thinking, for example, is very aware of the dangers of political and military power (especially seeking to limit the former) but downplays the reality of economic power, and sees little need to limit that. Part of the pragmatic virtue (and irony) of the American system is that we were able to recognize this and act on it at least somewhat. The labor movement and the New Deal of the last century created more financial equity and justice while still allowing capitalism to continue to dominate our theories.

Writing about the early 20th century he said, “The significant point in the American development is that here, no less than in Europe, a democratic political community has had enough virtue and honesty to disprove the Marxist indictment that government is merely the instrument of privileged classes” (p. 100).

America’s potential problems extend into other realms as well. “The American situation is such a vivid symbol of the spiritual perplexities of modern man, because the degree of American power tends to generate illusions to which a technocratic culture is already too prone. This technocratic approach to problems of history . . . accentuates a very old failing in human nature: the inclination of the wise, or the powerful, or the virtuous, to obscure and deny the human limitations in all human achievements and pretensions” (p. 147).

Niebuhr’s final chapter lays out what he means by irony—how two contrasting elements come together in a person or a nation with one arising from the other. A strength also contains a hidden weakness, for example. He goes on to highlight the foundation for this view of history, which comes from the biblical perspective of a “divine judge who laughs at human pretensions without being hostile to human aspirations” (p. 155).

Humility in spirit and modesty in ambition is not a message corporate kingpins, political powerbrokers, or even many humanitarian heroes want to hear. Such restraint does not suit them. Nor does pragmatism seem to rally a constituency as fervently as zealous idealism.

Yet his message is essential. That doesn’t mean we have no hope. Rather our hope and ideals are to be seasoned with realism about the world and with humility about ourselves.

The Good News About Daniel

Daniel is one of the most popular and yet challenging books in the Bible. In plain language yet without oversimplifying, Tremper Longman guides us with a steady hand through its sometimes wild passages. While not a commentary, How to Read Daniel insightfully walks us through the main aspects of each chapter.

Daniel is divided into two seemingly distinct parts. The first half consists of six stirring stories (court tales) of Daniel and his three friends. These include the famous scenes of the fiery furnace, the lion’s den, and the writing on the wall. The second half consists of four visions of the future that are full of strange images and figurative language. What binds them all together, as Longman regularly reminds us, is to assure readers that whether we have difficulties in the present or in the future, God is in control of history and he will have the final victory.

Daniel’s point is not to give a timetable (a point many readers miss) but to tell his readers (and us) that God will make all things right and that our role is to live faithfully in the meantime.

Longman believes Daniel was written earlier rather than in the second century BC (after the prophesied events took place), as many recent scholars contend. But he does not much argue either his case nor the case of those who hold to the later date.

His final two chapters are especially valuable on how to read Daniel as 21st-century Christians in hostile cultures. He notes there is no “one-size-fits-all formula for how . . . to interact with powerful forces that are not friendly to our religious values.” Sometimes Daniel and his friends respond only in private and sometimes in public. Sometimes they seek to persuade rather than confront. “The one thing that is clear and consistent is that they do not go out of their way to offend the authorities” (148). Instead they use wisdom and civility while remaining faithful in difficult circumstances.

He also shows balance and commitment to the text this way: “While there is nothing wrong with trying to persuade the broader culture toward Christian values, there is everything wrong with trying to use the power of the state to make non-Christians act like Christians” (166). The important truth Longman leaves with us is this: In the face of much uncertainty and many difficulties, Christians can live without fear because we know the end of the story.

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I received a complimentary copy of this book from the publisher. My opinions are my own.

Tuesday Round Up

Hear are a few, brief, miscellaneous items of interest. (See the last piece regarding this string of adjectives.)

Click on the Headline

Some of you who subscribe to Andy Unedited have mentioned that the font size is small in the email alert you receive. If you just click on the headline of the blog found in the email, you will be sent to the blog website which is much more readable. (So, for example, if you get this in an email, put your cursor on “Tuesday Round Up” in the email and then click! Easy as eating pumpkin pie.)

1917

My wife and I recently rented the DVD of this gripping story of two British soldiers in World War I who make an amazing 24-hour journey to deliver a message that could save hundreds of lives. The unusual use of only one camera during the entire film heightens not only the immersive immediacy of the movie but the dogged courage of this pair.

Write Better ebook and paperback sale

In honor of Cyber Monday coming up next week, the ebook edition of Write Better is now available for sale on Amazon.com and will soon be on ChristianBook.com for only $4.99 through December 2. Mark your calendar and take advantage.

You can also save 50% on the paperback edition (and a truckload of other IVP books) through Christmas just by clicking this link. Tell your friends. Happy Holidays!

Hope*Writers

I was recently interviewed by the good folks at Hope*Writers, a community helping people with the art of writing with the business of publishing. You can view it for free here as I discuss the importance of beginnings and endings, why determining your audience is so key (and how to do it), as well as ways to engage readers.

The Crazy Grammar Rule You Never Heard Of

Most click-bait headlines disappoint. The actual article ends up to be so lame compared to the come-on. But this one about the crazy “Grammar Rule You Know But Have Never Heard Of” is absolutely spot on. I never knew this complex rule as a rule, but I instinctively follow it all the time. So do you. Mind blown!